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Women in Heart of Darkness

Women seem to be categorized into a separate group, serving as supplements to mens actions, characters and behavior. All of them seem to live in the realm of their own, built on the idealistic conception of the surrounding world, governed by fair rules and laws. The two women Marlow encounters in the Companys office knit black wool they represent the Fates who guard the door of Darkness (Hell and Destruction) and to the house in a city of dead.

The black colour may be associated with the Natives on whose destruction and exploitation the Company was based. Black is also equivalent to the Darkness into which Marlow descends (sin and death). The wool may signify the thread of life. Their appearance is foreshadowed by the two black hens which decided about Freslevens doom. Marlows aunt is depicted with an underlying irony (a dear enthusiastic soul) which points to an illusive existence of a white woman in her civilised imagined world.

She was ready to do anything for Marlow in the name of a noble cause, that is, colonising the Blacks and implementing civilisation in the Darkness of Congo. She firmly believes her nephew to be the emissary of light, overlooking the dark level of exploiting the Natives for financial benefits (ivory). The painting of a woman who is blindfolded, carrying a lighted torch which Marlow admires signifies initial intentions of Kurtz and his beliefs before he was swallowed by the tempting Darkness.

He was to have been an emissary of light but remained blindfolded and did not see the consequences leading him to his self-destruction. The painting indicates the original, good nature of Kurtz, lost in the dark of the Congo. The native woman represents the whole Black community and the beauty of the wilderness, both of which were invaded by the civilised whites. She is the passionate reality, being savage and superb, wild-eyed and magnificent, reminding the whites of the Black heritage and their own culture (jewellery).

The gesture of throwing her arms into the sky may symbolise a dumb outcry to God to restore the original Time when the land was not raided and there was peace and freedom (wild sorrow… dumb pain). The lack of words which remain unsaid, only reiterates her appearance and the message sent by her behaviour. Kurtzs fiancee becomes contrasted with the native woman the Intended, as signified by the name, will remain the Intended, living with an idealistic image of her husband-to-be whom she unquestionably believed to be of impeccable character and behaviour.

The truth about Kurtz would be too dark and would destroy her illusive world based on the false image of his greatness. Women… we must help them to stay in that beautiful world of their own, lest ours gets worse. These words uttered by Marlow deny the quest into the Darkness for women their role is limited to living in their own world because the might be too weak to face all the obstacles and temptations.

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Home » Women in Heart of Darkness

Women in Heart of Darkness

Women in Heart of Darkness

Women do not play an important part in Heart of Darkness. This is

not too surprising as the text was first published for a magazine in 1898.

Throughout Marlow’s voyage he encounters few women and he does not consider

any of them to be his equal. His reference to women places them in their

own little world where they should remain. There are a number of reasons as

to why Marlow may have this understanding of the female being. These

reasons include, but are not limited to, the lack of females in his life,

the fact that he is primarily surrounded by men, and the type of women he

comes in contact with in his line of work.

First and foremost, we will note that Marlow is a seaman. He is a

man who has dedicated his life to the ways of the water. As the narrator

mentions when speaking of Marlow, “he was the only man of us who still

‘followed the sea'” (Conrad, 9). He has been picking up and traveling the

world by way of a boat for most of his adult life. The simple fact that he

is able to do this without regret is a hint into Marlow’s personal life. He

cannot be a family man, because it would be too hard for him to be away from

family members for such great lengths of time. He may have a mother or a

sister somewhere, but it is obvious that, for Marlow, there is no strong

bond with any female family member. Even his aunt who so willingly helps

him find work is not spoken of lovingly. If Marlow were to have a wife, one

would assume that, it would be hard, if not impossible, for him to maintain

a faithful marital relationship to her while leading such a Nomadic

lifestyle. This is presumably why he is not emotionally attached to a wife

or serious girlfriend.

It is also safe to say that Marlow does not have any platonic girl

associates, because of the statement made about them in their own world. He

makes it quite clear that women and men are on two totally different levels.

In the time that the story was written, it would have been crazy to think of

a woman and a man having a mutual friendship that had no loving or sexual

components. It is, most likely, the case that Marlow does not have a

healthy connection to any woman who would pose as a positive role model. It

takes a certain kind of individual to travel the world. Marlow is the kind

of man who can disappear for great lengths of time on a boat because he is

not attached to any close family or friends. Because he is not closely

attached to any family or friends he looses out on a variety of respectable

women who may have proved his female stereotypes to be false.

Living and working on a boat with many men can change an

individuals’ opinions on many topics. Even if Marlow had entered his first

voyage with an open and respectful idea of women, chances are he would have

changed his mind before he returned home. When men get together with other

men discussion of any issue is typically very different than it would be in

the presence of women. Many men together in conversation, which passes many

hours on a boat, can also become quite competitive. Stories are embellished

and many of these stories involve experiences with women. One would think

that Marlow’s disrespect for women would, then, have been learned at sea.

However, when one of the men interrupts Marlow’s story because he has become

too distasteful, the realization is that Marlow may, in fact, be the bad

influence. It is more often the case that Marlow’s stories depict women as

incapable and as being something close to property.

The women a man of the sea encounters on a ship for long periods of

time do not tend to be liberal up and coming women. Nor do they tend to be

healthy well-adjusted managers of the home. Marlow talks of concubines or

girlfriends on the ship. These women are what Marlow was exposed to for the

majority of his adult life. The type of women a man is exposed to are what

becomes his universal stereotype of “women.” If Marlow is basing his

thoughts about women on the kind of women he comes, and doesn’t come, into

contact with on a daily basis, he is being unfair to the female gender.

Marlow does not give women much credit as intelligent, independent,

able beings in Heart of Darkness. The reasons for this all revolve around

the kind of life Marlow was living and its lack of the presence of women.

It is a shame that although we have come a long way in the last one hundred

years we do still have many men who think of women as Marlow did. The most

ironic part of Marlow’s feelings towards women is that without the help of

his aunt, undoubtedly a woman, he would have never began the journey on the

Congo River.

Works Cited

Conrad, Joseph. Heart of Darkness. W.W. Norton and Company: New York, New

York. 1988.

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